Hybrid production. Live-action, real-time 3D and AI on the same shoot, with the same team. Three months becomes three weeks. Three weeks becomes three days.
One shoot. Every market. Weeks, not months.
Hybrid production. Real talent, AI environments,
VFX finish.

Real talent shot live. Environments built with AI, finished in post.
Real talent shot live. Environments built with AI, finished in post.
One shoot, every version — we swap talent, wardrobe, background, and language, so each market gets its own film without a new shoot.
One shoot, every version — we swap talent, wardrobe, background, and language, so each market gets its own film without a new shoot.
CG and compositing take every frame from nearly right to exactly right.
CG and compositing take every frame from nearly right to exactly right.
Build it once. Use it everywhere.
Hybrid production. Design, build, and performance.

From brand mascots to screen heroes. Every direction explored, then one built by hand with the detail to carry a franchise — AI for the exploring, people for the build.
From brand mascots to screen heroes. Every direction explored, then one built by hand with the detail to carry a franchise — AI for the exploring, people for the build.
Your mascot, off the packaging and into motion — 2D and legacy characters rebuilt in 3D with AI, matched frame for frame to the version audiences already know.
Your mascot, off the packaging and into motion — 2D and legacy characters rebuilt in 3D with AI, matched frame for frame to the version audiences already know.
Choreographed, not animated — motion capture drives the body and the face, so the character moves with the weight and timing of a real performer.
Choreographed, not animated — motion capture drives the body and the face, so the character moves with the weight and timing of a real performer.
Fewer shoot days. Bigger worlds.
Hybrid production. Real talent, virtual locations,
scanned doubles, CG.

Locations created instead of flown to. Actors perform against a real environment, and the director sees the final shot on the day.
Locations created instead of flown to. Actors perform against a real environment, and the director sees the final shot on the day.
Esper: 120 cameras, one session, a photoreal digital double of anyone or anything. The only rig of its kind in Southeast Asia.
Esper: 120 cameras, one session, a photoreal digital double of anyone or anything. The only rig of its kind in Southeast Asia.
See it before you commit to it. Concept trailers and previz that show the film instead of describing it.
See it before you commit to it. Concept trailers and previz that show the film instead of describing it.
The fine print
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